This site has been archived thanks to the efforts of the oneway Restoration Team. Restoration still in progress. 2019 Version.

TINSOLDAT

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Don't expect kindness.

If you are visiting my website, it might be for a reason. Maybe you're interested in one of my projects. Maybe something I said got under your skin. Or maybe you're the kind who stalks my page all the time to cope with your obsession. It's pathetic, but I get it.

Whatever brought you here, what you are looking for is already laid out. Read through it.

⣿⣿⣿ MEDIA LOG ⣿⣿⣿

NEWEST MEDIA LOG

RenoVirtue and the Faux Pas

 Lolita fashion has a peculiar origin story for something so visually maximalist. The Victorian and Rococo references, the petticoats, the deliberate construction of the silhouette, all of it functions more like a second skin. There is a reason the community developed such exacting standards. The rules were never about exclusion for its own sake, as the intention is to protect something that required precision to exist at all. Worn sloppily it becomes costume. Worn correctly it becomes a complete refusal of a certain set of expectations, which is a rather radical thing to do with a petticoat.

 With that in mind, Meaty's relationship with the fashion makes a particular kind of sense. The themes of gender, identity, and defiance are present, though I will trust the reader to connect those dots without my assistance. What interests me more is her perception of the fashion on its own terms: the rules she follows, the ones she breaks, what her sources of inspiration actually mean, and the gaps she has filled in through instinct and inference. She is, after all, experiencing the world for the first time, so her relationship with something as codified as Lolita fashion was never going to be straightforward. That is precisely what makes it worth examining.

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